Advice and help on becoming a world class photographer by Sports Photographer Vince Rush

Posts tagged “Monroe Ohio

I am not in the “Photography Business”!

Monroe Hornets High School Baseball photos by Sports Photographer Vincent Rush of Cincinnati Sports Photography and Dayton Sports Photographers. Vincent Rush is an award winning published sports photographer based out of Monroe Ohio

Monroe Hornets High School Baseball photos by Sports Photographer Vincent Rush of Cincinnati Sports Photography and Dayton Sports Photographers. Vincent Rush is an award winning published sports photographer based out of Monroe Ohio

“Hows your photography business going?”, I am often asked. I like to say, “I’m not really in the photography business. I’m in the “memories” business!”

Obviously that always brings the perplexed look and the invitation to elaborate.

I was recently discussing with a group of business colleagues the subject of pricing and amount of work that, in their opinion WAS NOT out there and in my opinion WAS available.

I went on to explain it this way; When a Mom or a Dad wants something special of their athlete playing their sport of choice, they have a few options.

1) Use their own camera with their “Kit Lens” or their “Point and Shoot”.

2) Hope that the minimum wage people at Life Touch Studios, that only shoot one angle, all the time and try to get as many “snap shots” as they can for the school year book, get one of their kid.

3) Hope the local newspaper has a decent photographer that day that covers the game

or the final alternative; Hire a professional sports photographer that understands the sport, angles, composition and works for the right shot.

I had one of my non photography business associates ask how I could charge so much to go shoot one kid playing a single game.

I asked him if he had any shots of of his kid playing baseball on his I Phone. He did and gladly showed them to me. I then pulled out my phone, went to my website and showed him THIS gem.

I said..”THAT’s why a parent pays me to come shoot his kid in an event. I then showed him shot after shot of the same type of action shots that I had captured for clients.

I said to my friend, “The parent is not paying me to take pictures of his kid. He is paying me to create memories and give him something for his wall that no one else has of their kid”.

The next time someone calls you and inquires about your pricing, ask them a question before you throw out a price. Ask this simple question, that causes them to think.

“Pricing? well that depends. Are you wanting pictures or are you wanting memories? If you just want snap shots, I’m probably not your person. If you want something special that will still awe you 20 years from now, I might be your person”

THAT… is the difference!

Vincent Rush


Faces In The Crowd

By Ohio Sports Photographer, Vincent Rush

Are you shooting sports photography to earn a secondary income, or are you shooting sports photography because it’s a hobby that you have no intention of ever expanding into a business?
If you are doing it to earn an income, and are like most aspiring sports photographers, you shoot a Friday night or Saturday football game and capture hundreds of action shots and run home to your computer and upload your favorites to a website such as Smug Mug and then sit back and hope the cash starts coming in.
You will also notice that there are several other photographers at your local events, with the same intentions.
I’ve always said, live by the philosophy of “Observe the masses and do the opposite”
One of your “hidden treasures” in any high school event is the kids in the crowd.
I consistently sell more 5×7’s and 4×6 prints form my journeys up into the stands that the actual game photos, simply because…NO ONE ELSE DOES!
There is a secret though, don’t just fire off snap shots that anyone with an I-Phone can capture. Be a little creative and always take a second to make sure you don’t embarrass anyone kid or post up some idiot that is flipping the finger in the background.
Oh. Yeah…I’ve saw worse than that in the background of some of my photos! Examine them carefully. There’s an idiot in every crowd.
I particularly take care to remove bad acne in a shot like that. I do not want a kid with a developing self image to be made fun of by his peers so I am very meticulous in taking care of that detail before I post a picture.
If you don’t want to sell the pics, but still want the efforts to produce fruit, post them on a local kids or schools Facebook page.
Kids will tag themselves and share the photos, garnering you some free “Brand Exposure”.
Posted by Monroe Ohio photographer Vincent Rush, Cincinnati Sports Photography and Dayton Sports Photography of Monroe Ohio. Vince Rush can be contacted by phone at (877) 858-6295 or by email at or visit

I’m An Incredible, Amazing Photographer!

“Protect this House” by Cincinnati, Ohio Sports Photographer Vincent Rush of Cincinnati Sports Photography

By Vincent Rush, Ohio Sports Photographer

Ok, not really!

I was just echoing the most overused quote on Facebook, regarding photographers.

It’s school season and more specifically “Senior Portrait” season and among my very close and personal 1400+  Facebook friends, I am constantly seeing photos posted, either great, good, average or just plain poor, with someone’s name and the word “Photography” attached to it.

Then of course the subject or parent goes on to describe what an “Amazing Photographer” said individual is.

As a photographer myself, I am always amazed at some of the pictures that aspiring “photogs” allow to be posted in an effort to establish their brand and style.

In today’s world of photography, with camera technology and lighting techniques along with a basic understanding of Photoshop or other editing software, anyone can take acceptable quality portraits and produce a picture that any Mother would love.

I have never claimed to be anything special, other than an exceptional sports action photographer. I know my niche and what I’m good at.

Every photographer should take inventory and know what their true talent is…as well as what it’s not!

And even at that, I know the real secret to being a “Great Photographer” is in knowing what to delete and what to share with the world.

When I began building my brand, which is more important than building a business because without the brand, the business can’t survive, I was very protective about what I shared with the public.

That discretion allowed me to build my value and identity as a sports photographer.

Every “Photographer” I see on Facebook, has a few great shots that I myself wished that I had shot. However, I often see those pictures sandwiched in between mediocre snap shots that anyone with a “Point and Shoot” could have captured.

I am also seeing, in my opinion, waaaaay too many snap shots posted with a watermark identifying the picture as property of, “XYZ Photography”.

Is everyone with a camera today a professional?

I can however, also appreciate anyone trying to build a little business and produce additional income in today’s economic climates.

I admit, I had no traction in 2006, when I was given a Nikon D2x, as a gift and began shooting for the first time since 1990.

There was also no Facebook or social media back then, so I cannot say that I would have not taken the same route.

But even back in the day, I was very careful about what kind of pictures I exposed on my website and handed out at ball games.

Two good examples of what not to do come to mind;

I have a photographer friend that shoots a lot of low budget weddings and senior portraits.

Now my friend has really improved on their skill and mastery of lighting over the past couple of years and is really starting to do some outstanding work.

However, my friend also keeps damaging their “Brand” by publicizing some really, how do I phrase this…gnarly pics. By gnarly I am implying…non attractive photos of things like, overweight brides in unflattering dresses with even more unflattering tattoos, unless you’re a big fan of “Honey Boo Boo Child”

They are wedding pictures and Senior photos that may be only attractive to the Mothers of the photographed…if you know what I mean.

It’s OK to shoot those, and if your client is happy, that is all that really matters. However,  photographer should use a fair amount of discretion on what to “Share with the World”!

There is a reason Victoria’s Secret does not put the women who actually buy their outfits in their catalogs, much in the same way Canali or Armani would not put ME in theirs!

Another example is a local sports photography business, consisting of two guys in my community.

They will cover a sporting event for football or baseball and while they capture some great images, they then dump 400 pictures from the game on their Smug Mug site, forcing a parent to have to sift through to find a photo worth paying $15-20.00 for.

I have had good success carving out a niche to where I rarely do general game coverage anymore.

Most of my business is now “client shoots”, where a parent hires me to come and cover their kid or their team for an entire game.

The price for these events I do range anywhere from $300-$400.00.

I then present the client with a CD of edited…I REPEAT…..EDITED photos and keep the total to between 60-80 shots.

I have a website at that has numerous examples of sports photography and illustrates what I am talking about.

I also get asked every year to do a handful of senior portraits for $500, of which I provide 4 poses, on location, and present a CD to the parents. I typically do about 5 a year.

I asked one of my friends recently, what they charge for the same thing and twice as much work, when it came to senior portraits.

While I never got a clear answer, I assume it was around $250-$300, forcing them to shoot 8.3 jobs compared to my 5.

This friend commented that is was hard to get that kind of money in a small town. While I noted that I lived in a smaller town, I pointed out that it’s not the size of the town, but rather it’s the perceived value of the service rendered. That value has been diminished, not because they are not talented, but because they are not particular about what they post as their calling cards.

So determine, what you are worth and what to you want your value to be perceived as? They are in fact two different things.

By the way, two GREAT sports photographers that I admire in Sports Photography is a guy by the name of Rick Lohre @ and Barb Trimble @

And two Cincinnati photographers that I really like in portrait photography are Moon Beam Studios @ and JMM Photography @

Happy Shooting! Vincent Rush, Cincinnati sports Photography

Sports Photography Trends: Summer – The Best Time For Booking High School Sports!


RIGHT NOW is the BEST TIME to book high school sports…do you have your marketing kits ready?  The grads have thrown their hats in the air, and the coaches are taking a sigh of relief, FOR THE MOMENT.
Many schools require staff and personnel to work for a week, or several days, past the last day of the classes for students, so NOW is the time to act!  These couple of weeks following classes are PRIME TIME for speaking with any high school coach.  During these weeks most coaches are more accessible and more willing to meet – and listen – to what you have to offer.
Take advantage of this calm time, as a lot of coaches are hard to locate during the school year.  When they are busy it is tricky to find a “best time” to speak with them, and finding the “best time” that they are willing to listen can be even trickier!  Very often they are busy, and will only give you a few minutes of their time, if that.  You want to approach them at a time when they have more time to listen to you.
Plan ahead.  Do you have your marketing kits together and ready to go?  Be sure to have samples of unique products that will make you stand out among your competitors.  Have a calendar with you for scheduling.  Have testimonial letters from other schools and coaches.  Be prepared to leave detailed information with the coach/decision maker so they can refer back to what you discussed.
One HUGE advantage to approaching school coaches now is that more than likely there areMANY coaches there at the same time.  Once you’re in the school, track down other coaches of other sports.  Now is also the best time to show up unannounced and visit with as many coaches as possible.  Make the most of YOUR time and the coaches availability.  Don’t miss these lucrative couple of weeks…the BEST TIME FOR BOOKING SCHOOL SPORTS!

Posted by Monroe Ohio photographer Vincent Rush, Cincinnati Sports Photography and Dayton Sports Photography of Monroe Ohio. Vince Rush can be contacted by phone at (877) 858-6295 or by email at or visit Check out my profile!

Boy of Summer by Sports Photographer Vincent Rush

Boy of Summer by Cincinnati Sports Photographer Vincent Rush

You’re Charging Too Much For Your Photography!!!!

Little League Sports Photography by Sports Photographer  Vincent Rush of  Ohio

Batters Eye by Award Winning Sports Photographer Vincent Rush of Dayton Sports Photographers

Well not really – but I needed a catchy headline. Chances are you are charging too little. Let me explain.

(Please note this post is written from the perspective of a professional photographer. If you want to do photography for charity or use it to provide social outreach or pure art, this post may not be something you’ll care to read. Thank you.)

Every time – every single time – someone says – “Your price is too high,” it means that you have the wrong prospect. You don’t have the wrong product or price. You have the wrong prospect.
A man with $2000 in his pocket out to buy a car walks into a Jaguar dealership, sees a lovely XJL sedan and says, “I like that. How much is it?” The salesman replies, “$120,000 sir.” The man says, “That’s too much.” Is it? Obviously the problem here is not that the Jaguar isn’t a nice car or that it costs too much. The problem is that the man simply can’t afford a car in this price range. He’s not the right prospect. There will never be a meeting of the minds here.

So this illustrates part one of this problem. Wrong prospect always leads to no sale.

What is the solution? Is the solution to sell a different product or reduce the price? Absolutely not. The solution is to find the person who can afford that price and wants that product.

Photographers often charge too little because they have an “opinion” based on their own experience about what the market will stand for. But that’s the core problem. The photographer isn’t the buyer. The photographer doesn’t necessarily represent the market. You should be aiming higher than your own income bracket if you want to grow your business so find clients who CAN afford your higher prices and sell to them.

Most often it’s your opinion that is the problem. It’s not the price. It’s not the product. It’s your opinion about what the market will stand for.

Let me give you another example. If you live in a world where the average income is $50,000 a year, you probably haven’t considered adding a Rolls-Royce Phantom to your garage. This may lead you to believe that since you can’t afford it, nobody can. But that’s wrong-headed thinking. Want proof? Rolls-Royce sells a model called the Phantom. It’s $380,000. Now they also sell a special edition of the Phantom called the “Year of the Dragon” edition. That version of the car costs $1.2 million. Guess what. They completely sold out of those cars – worldwide – in 60 days. So while you may not be able to afford that car, it doesn’t mean someone else can’t.

There are people in this world – in fact in your neighborhood – who can write $100,000 checks without even asking their spouse for permission. There’s plenty of money around, even in a bad economy. You just have to find it.

So study demographics. Which zip code in your area is the most affluent? Where are the country clubs? These are the places where your prospects for high-end photography exist.

Not everyone cares about making a great deal of money in their photography business. Some prefer the social nature of the job or the artistic nature of the job. For them, this isn’t going to resonate. But for those of you who would like to make more money, start thinking about finding the RIGHT prospects – the ones who can value and afford what you do.

An article by Scott Bourne posted on Twitter on Feb 6th, 2012

Re-Posted by Monroe Ohio photographer Vincent Rush, Cincinnati Sports Photography and Dayton Sports Photography of Monroe Ohio. Vince Rush can be contacted by phone at (877) 858-6295 or by email at or visit Check out my profile!

The Right Place at The Right Time by Sports Photographer Vincent Rush

Eaton Eagles vs. Monroe Hornets by Ohio Sports Photographer Vincent Rush

Eaton Eagles QB, Trevor Pittman passes against the Monroe Hornets by Sports Photographer Vincent Rush

I am constantly preaching angles and anticipation are a huge factor in becoming a great sports photographer versus a picture taker on the side lines.

I had a client ask me to get some shots of their son playing football in Monroe, Ohio recently.

Trevor Pittman, seen in this shot, started the game for the Eaton Eagle at Quarterback.

While working the sidelines and watching where the holes had a tendency to open up on the line, I positioned myself in his potential passing lane on a 3rd and long situation, and was rewarded with this capture.

His Mom told me, upon seeing the picture, that it was his first and only passing attempt, to date, of his early career.

I feel that God blesses me with an ability to somehow, always be in the right place at the right time.

I was looking at some of my, so-called, local competitions web offerings recently on their site, and noticed a particular sport, that had something like 30 galleries and more that 5000 photos.

While some of the photographs were outstanding, they were like Easter eggs, hidden in a corn field, among countless unedited photos of the athlete in awkward body positions, either facing the camera or not, sometimes “floating” in air, with not subject matter, etc….

The sad part is, this individual could actually be a pretty good photographer if they understood this simple concept.When your moto drive is snapping off 8 frames a second, you’re going to get some show stoppers in the 8-900 shots you shoot at a game. The secret is, not to bury them in the site with the 700 bad ones.

A $5000 camera and a $6000 lens, will get smoked every time by a parent with a Nikon D90 and a kit lens, that does understand that concept.

I saw a photographer for the Hamilton Journal News in Hamilton, Ohio, shooting Little League tournament photography with a very high end Canon and a 400m 2.8 lens recently and most every shot they presented for game coverage was sub par and no better than some of the parents pictures from the sidelines with cameras from Best Buy.

One of the other Proverbs that I often recite is “Thou shalt protect thy brand and thy brand image”

As a sports photographer, if you want to continually get calls for high paying gigs and be able to charge premium prices, you have to understand marketing and how an audience thinks.

We are a microwave society today. A few years ago, a successful site on internet, subscribed to something called a “3 Click Rule”, that essentially stated, “If  a visitor to your web site can’t find what they are looking for in 3 clicks, they bounce off the site.

If you’re shooting a game of any sport and you “dump” 144 photos on the site in a gallery, with a good portion of the photos, unflattering to the subject or awkward looking, you’re going to cheapen your brand and never really be able to command top dollar for your work. You’re also going to lose a lot of potential customers that grow weary in searching for the Sports Illustrated shot of their son or Daughter.

Down the Middle-by Sports Photographer Vince Rush of Cincinnati Sports Photography

Sports Photography by Dayton and Cincinnati Photographer Vincent Rush

A Minnesota Starz PItcher Lets One Fly. by Baseball Sports Photo Jounalist Vincent Rush

Monroe Hornets, and future Ball State Pitcher Logan Stanger

Monroe Sports Photographer Vincent Rush

Logan Stanger of the Monroe Hornets pitches on Seniors Night by Sports Photographer Vincent Rush

MONROE 16, BROOKVILLE 3: The Hornets had little trouble with Brookville pitching on Thursday as they cruised to a five-inning victory. Leading the way at the plate for Monroe were Jake Little (3-for-3, two RBIs), Devin King (2-for-3, three RBIs), Stanger (2-for-3), Aaron Brewer (2-for-3, two RBIs), Jordan Abner (3-for-3, RBI) and Dillon Hyden (2-for-2, two RBIs). The win moved the Hornets to 7-10 overall and 3-9 in the SWBL Southwest Division.

Sports Photography Tip, Know your Sport…Know your Players! Part 2

Sunset Warrior Sports Photography

Karate Black Belt and Olympic hopeful Amanda Joiner photographed in Monroe, Ohio by Sports Photographer Vincent Rush


Part 2……..

Volleyball is a rarely covered event, with beach volleyball getting more press than the traditional gym based variety. Volleyball can yield some rich, colorful and dramatic shots given the need and desire to take them. Your access in volleyball venues will vary drastically. For instance, during a high school game, you may be permitted to shoot along the sidelines, or not far behind the end lines. As the level of competition goes up, you will be moved further and further back. In beach volley ball, you probably will not be permitted in the sand pit at all. So pack a long lens and some sun block (for the beach game).

Volleyball shots are tricky to use auto focus on. If you are shooting from behind the lines towards the net, the AF could trigger on the net, the back of the opposing players, the back wall, or just about any point in between. It is best to use a vertical sensor for this sport since people are going up and down and there is little side to side movement. For manual focus, you want to zone focus. From behind the end line, most all action at the net will be at the same distance from you, so focus on an area just a little behind the net and leave it there.

For shots along the side lines, it is best to shoot at an angle to capture the faces. These are the best times to capture digs and diving players as you should have a fairly un-obscured view of all the players. Traditionally, volleyball follows the “Bump Set Spike” ritual. Learn who the diggers, setter, and hitters are. Then take your time working on a shot of the individual skill you want to capture. Your setter will be easy to track and get shots of. Digging is a bit tricky since it can come from any were on a given half of the court, be a low or high dig, involve a dive or other less than predictable motion. Hitters/blockers are fairly easy to capture since that area of play is somewhat limited.

Your safeties are the player serving and the setters since they are fairly easy to capture. Next work on your hitters/blockers followed by digs.

Golf is a fairly easy game to shoot as far as action goes, but it is one of the toughest because of the nature of the game. That is you can get good action shots if you can get there at all. Consider the following. Golf is a long distance, one direction game. It is played over a course of thousands of yards in a some what straight path and it is played from hole to hole. Secondly, it is a quiet game where the slightest distraction is not allowed. Finally, for your safety, your access to swing areas is limited.

The first problem is addressed by one of two methods. First, you can camp at one location, such as a tee box or a green on one hole and shoot multiple people as they pass you. Or alternatively, you can with the permission of the course, use a cart and follow individual golfers. Cart paths are narrow and heading against the grain is difficult. Ideally, you will learn the course and find a spot where you can shoot both green play and a tee box with minimal movement.

Even at 400mm, you may not get close enough for good tight shots. Longer lenses are almost a must for capturing competitive golf. If you are shooting recreational golf, say your beer buddies, you can get closer and a lens in the 200mm range will suffice. Any focus method will work since the players are basically standing still. Golf, in particular at the pro level is very sound sensitive. Turn off the AF (you don’t need it any way) and go to a slient manual focus. If you have silent AF lenses, such as the Canon USM or the Nikon AF-S lenses, then you can AF. Some events may require you to use a sound blimp around the camera if your shutter/motor are distracting to the golfers.

There are a few main golf shots, in most all cases, they are individual shots. The primary action golf shots include a shot during the back-swing, a shot near impact of the ball, a shot after the follow-through with the golfer looking for the ball or any time during a putt (but be quiet). However, there are a lot of opportunities for safeties in golf. Any shot of a golfer studying the course, be it looking at the scorecard, messing with the golf bag, talking to the caddie, or lining up a putt are easy shots to get. These are times where the firing of the shutter will be more tolerated. Also, shots after the follow-through are considered safe shots. The action is paused and you know its going to happen so getting them is somewhat easier.

Don’t forget that a lot of good golf shots, and other sports for that matter do not involve play at all. One of my personal favorite golf shots was of a greens keeper changing the pins.

Track and Field
Track and Field meets are a lot of fun to shoot. You get a lot of variety of shots, multiple opportunities to shoot most participants and events and there generally is a lot of emotion displayed during a track meet. The most difficult things about track meets are logistical.

Access can be restricted depending on the level of play that is being photographed. At a high school meet, there is little in the way of restrictions. Just stay out of the participants way, or out of the way of projectiles like shot puts and discus and you are okay. As you climb the ladder, access gets tighter and tighter. Even at NCAA Division I level meets, the access is still pretty good. Pro level, Olympic, or Major Events will be more tightly controlled due to the size of the event and the amount of media present. Access will be restricted to particular shooting areas.

Logistically, track meets are hard to cover because multiple events are going on at once. If media movement is controlled, you may only get to shoot one or two events. But at a more relaxed meet, you will have more freedom to scoot from event to event. Because of time, multiple heats/attempts and so on, the track will generally be filled with races while the inside of the track contains the field events.

There are no specific safety shots in a track meet, but the individual events are fairly easy since almost all movement is predictable. Track events all move one direction. Shooting the finish, or turns provides the most dramatic events. For the hurdles, it is pretty easy to time the players as they peak over the hurdles. Relays, with the baton passing is probably the hardest part to capture because the runner taking the baton may obscure the runner handing it off. Use follow focus to catch runners and they move past, or zone focus if you are working on the finish line.

Field events, like wise are very predictable. Events like the high jump, long jump, and pole vault involve participants running towards an object, and then jumping over it. This is a zone focus heaven. Use a little depth of field (F5.6 or so) and focus on the bar for the high jump and pole vault and fire as they start up and over. You should catch them at the peak as they hurdle over the event. If you didn’t get that run, don’t worry, each player generally takes two or three shots and there are multiple players.

The Long jump, and its cousin, the triple-jump are pretty easy. They are also zone focus events. If you are at the end of the pit, focus just a few feet into the pit and fire when they hit the board and begin their jump. After a few jumps, you should have a feel for when they peak at their jump and will nail a few really good jumps. If you have to shoot from the side, you still zone focus over the middle of the pit, track the runner as they head down the track and fire when they go airborne.

The throwing and hurling events are likewise easy to shoot. The players have to stay within a confined space, so zone focus and you will do well. Try to catch them when their face is towards you and when their emotion is at its best or just after the throw.

If you have good access, you can get some great shots with an 80-200mm lens. If you are restricted you may need a 400mm or longer, but in most cases you can get away with smaller lenses.

Gymnastics and Figure Skating
Gymnastics, as a rule, is a no flash event. While a flash may be tolerated at a basketball game, or a night football or baseball game, its generally a no-no for gymnastics. The participants are easily distracted and the slightest hesitation can cause serious injury. The bad thing is most gymnastics happen is poorly lit situations. Lighting will be covered later.

Like Track and Field, gymnastics is a series of events with individuals performing. The events go on simultaneous to each other and depending on the level of the meet, your access may be limited to minimize distractions. With the exception of the floor program, most of the gymnastics events are kept in a small area which makes focusing easy and the movements are predictable. Even with the vault, your object is to catch the vault itself or the landing. So you will probably want to zone focus most of the events. The floor exercise will require follow focus or auto focus. Your lens choice will vary too much by access, but like other indoor sports you want the fastest glass available.

Events like the balance beam, rings, parallel bars, and the uneven bars provide several opportunities to capture the athletes in artistic, athletic, and emotional poses where capturing the moment is somewhat easier. The vault and floor exercises require more timing to get good shots. However, for the floor exercises, its about emotion anyway, so catching the cute smiles and ballet style poses is critical to telling the story more than catching someone in a tumbling pass.

Figure Skating combines the problems of gymnastics with the problems of hockey. You are limited by your access to off ice and you have to compensate for the white surface. Lighting isn’t as good as a hockey game. Frequently, the lighting is spot lights, so knowing stage lighting is important. The programs can be predictable and are generally published before the event so you know when the triple jumps are coming. Lens length is determined by proximity to the surface but again, you want the fastest glass possible. Autofocus is a good idea for Figure Skating, though some success with follow and zone focusing can be achieved.

Motorsports and Racing Events
These sports are generally fairly easy to photograph. They generally occur during the daytime and you can get away with longer slower lenses. AF isn’t quite as important because the action occurs in a very precticable fashion. You can follow or zone focus easy enough. Safety shots are the partcipants racing past you. The challenge for racing sports is to show motion which will be covered shortly. You don’t want your Forumla 1 car looking like it is sitting still. Also much more importantly, there is a lot to the game other than the cars or horses running around the track. The pits/paddock afford some of the best shots. Be ready for an accident. They can happen at any time.

The biggest problem with racing sports is the distance from the track. You only have the partcipants for a brief time on each lap and in the case of the ponies, you only get them for one lap (per race). You will need big lenses in almost all circumstances for the race itself. Your shorter lenses work well for crowd and off track shots.

Written by Sports Photographer Rob Miracle and posted by Cincinnati Ohio Sports Photographer Vincent Rush of Cincinnati Sports Photography.

Posted by Monroe Ohio photographer Vincent Rush, Cincinnati Sports Photography and Dayton Sports Photography of Monroe Ohio. Vince Rush can be contacted by phone at (877) 858-6295 or by email at or visit Check out my profile!